Results tagged “charliechaplin”

BASTILLE DAY AT THE MARKET: Seattle's French restaurants are in Francophile overdrive tonight in celebration of French independence. Le Pichet (1933 First Ave.) starts its annual party at 6 p.m. and features Gypsy jazz until 11 p.m., when the d.j. takes over. Maximilien (81A Pike St.) has a special three-course dinner tonight for $35 and an accordion player. And Cafe Campagne (86 Pine St.) tops them all: a street fair is happening in Post Alley starting at 3 p.m. including wine and hors d'oeuvres. For those seeking more sustenance, they're offering an extravagant five-course dinner for around $80 per person.

When we walked into the Bagley Wright Theatre last night, we had absolutely no expectations from Aurelia's Oratorio. We'd seen the publicity photos and figured it had something to do with playful illusion, but that was the extent of it.

Trader Joe's Silent Movie Mondays wrap up tonight at the Paramount -- the redoubtable Dennis James on the Mighty Wurlitzer Organ -- with a trifecta of Charlie Chaplin shorts from 1917: The Cure, The Immigrant, and The Adventurer. Tickets are $12. The show starts at 7pm, but if you get there early, you can hear Freehold Theatre's George Lewis talk about Chaplin's contribution to the field of physical comedy.

Monday the 10th, at 7pm, the Paramount Theatre presents Charlie Chaplin's 51st, 52nd, and 53rd films, all from 1916: The Floorwalker, The Fireman, and The Vagabond. They're all half-hour or so shorts from early on in his Mutual Films era, and feature Chaplin's genius for environmental comedy, with mishaps with escalators and fire poles.

Rock stars are dark and mysterious, calculating and philanthropic, and almost always stylish and physically attractive. And then there are Jack Black and Kyle Gass.

SIFF enters its second full week with a slew of great documentaries, including the final screening of fair trade coffee doc Black Gold (Tuesday, 9:30pm @ the Egyptian). The directors, Marc and Nick Francis, will be in attendance, as will Tadesse Meskela, an Ethiopian Farm Cooperative Organizer featured in the film. The SIFF screenings mark the first time the directors and subject have been together since the making of the film---and the first time Meskela has seen the film on the big screen.