Results tagged “balagan”

RECOMMENDED For these Unclosings @ New City Theatre. Local visual artist phenom Susie J. Lee has taken her studious exploration of the transience of memory out of the art gallery in this collaboration with dancer/choreographer Ying Zhou. Utilizing some impressive technology, Lee has put together a dramatic live performance/art installation/dance piece that builds on her already impressive catalog of achievements. (1404 18th Ave. Fri. & Sat., 8 p.m. Tix $15.)

OPENING Orange Flower Water @ ACT. Last December, New Century Theatre launched with a bang, with a lauded, controversial production of The Adding Machine. Their second show, opening this weekend, promises to go in radical new directions. A four-person bedroom drama, Orange Flower Water is every bit as intimate as The Adding Machine was epic. It's also dirty--18 and over, please. (700 Union St. Fri. & Sat. 8, Sun. 7. Tix $25.)

OPENING the break/s @ ACT. Marc Bamuthi Joseph is a poet, theatre artist, and educator who's produced a hip hop influenced solo performance piece that's generating buzz all over town. (700 Union St. Fri. & Sat. 8 p.m., matinees Sat. & Sun. 2 p.m. Tix $40-$55.)

ONE WEEKEND ONLY biome @ Seattle Rep. Capacitor, a San Francisco-based performance group that mixes dance, multimedia, and science, is finally back in town with biome. Originally scheduled for January, the performance was canceled when flooding closed I-5. Now, Capacitor is finally back for two nights with a stunning visual exploration of the micro-habitat of the rain-forest canopy, based on a close collaboration with scientists in the International Canopy Network, including Evergreen College professor Dr. Nalini Nadkarni. (Fri. & Sat., 8 p.m. 155 Mercer St. Tix $15-$25.)

RECOMMENDED - Final weekend! - The Last Letter @ New City Theatre. "What are you supposed to say about a Holocaust play? The Last Letter is good, it's worth seeing, but in a strange way that's not saying much, because you're talking about the story itself, not the performance. But then again, that may say as much about New City's artistic choices as anything: sometimes, less is more, and revealing the story is mostly a matter of getting out of the way." (1404 18th Ave. Fri. & Sat. 8 p.m. Tix $15.)

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Kim is shooting from the hip this weekend (papow!). The only solid plan is her friend's weekly L Word watching party on Sunday. Between now and then, she'll probably go see Shenandoah Davis at 2020 Cycle with Your Heart Breaks and KHV. Maybe there'll be a delicious meal culled from our local farmers markets. Maybe she'll hop on a train and go to Portland. Anything could happen, people. Anything.

First, a word of warning. Last night we went to see Marat/Sade and this morning cut ourselves so deeply shaving that that darker red blood poured out--not the usual pink nick. And we blame that--with subcutaneous justice--on watching a play where you spend 90-plus minutes waiting for someone to get stabbed. Clearly some sort of blood lust was excited. So if you go to Balagan Theatre's production (running through January 31, tickets $15), and out of sheer perversity you might well want to, watch it around sharp objects afterwards.

   

OPENINGS: Athol Fugard's at Stone Soup (Fri. & Sat. 7:30 p.m., tix $15/$10) is a rock n' roll adaptation of a classic.

Fuck the '80s. Seriously, one more Mo Rocca VH1 show, one more special dance night, one more themed party, one more fashion comeback from anything hailing from the years between 1980 and 1989, and we're going to lose it. We were there; it sucked. That said, if you're going to throw a play in the basement of La Spiga/Boom Noodle that has an affiliation to the 1980s, you can do worse than to bookend it with the hair metal that was so justly put to the sword in the early Nineties, but at the time rocked. Balagan Theatre's current production of Search and Destroy takes every opportunity--before, after, during set changes, complete with high-kicking silouettes--to slip you some Whitesnake, GnR, Bon Jovi. The soundtrack is worth the price of admission alone.